You don't, of course, need to live by yourself to become isolated. When I am writing I wander in a fug all day, wake in the middle of the night – waking my wife Belinda as well – and stagger downstairs to record a thought or two. Leave the bed with my mind whirling with gorgeously formed sentences which are as evanescent as the smell of lily of the valley, and about as easy to recall. By the time I get to the keyboard their perfection (as it seems to me in my drowsy creative mode) has dissipated, and though I can catch something of what seemed a sensational formulation it is already, in that Platonic way, only an imitation of the ideal. I fiddle about, rewrite and reconsider, and go back to bed an hour later thoroughly stimulated, dissatisfied, and unable to sleep. I read for another hour. The next day I complain that I am tired, and show all the signs of it: irritability, abstraction, and a tendency to fall asleep on a sofa at any time, including when I am being spoken to.
There is nothing unambiguously agreeable about this to my loved ones, nor to me either. It is embarrassing, being thus conquered by an inward voice desperate to formulate, reconsider, construct, deconstruct, seek out the right phrase, amend it, think again. And I am only a writer of bits of non-fiction. You'd think it would be easy. Or easier, certainly, than being a novelist. I can hardly imagine what it must be like to be inhabited by many competing voices, ceaselessly reconsidering the flow of a narrative, charting the development of character, juxtaposing one thing with another. It's astonishing that novelists have any social life at all.
Via Jacob Levy's twitter, I think
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