Anti-Climacus

LINK: Nice article from the New Yorker on 50s-60s comedy:

"...what is really striking about all the “rebel” comedians of the time, hard and soft, is that their main target was almost never the excesses of the right wing in power. From Tom Lehrer’s “Love, love love me, I’m a liberal” and Shelley Berman’s nervous flier to Woody Allen’s mockery of cuny ethics and Nichols and May’s sublime catalogue of the sounds of tolerance (“Well, Al Schweitzer is just a great guy. Al is a lot of laughs. I personally have never dated him”), their subject was liberalism and its pieties. As Nachman sees quite clearly, though he seems not always to see the centrality of his own observation, the bulk of Mort Sahl’s material, beyond a couple of anti-McCarthy jokes long after McCarthy was out of power, wasn’t political—and, to the degree that it was, it mostly mocked liberal saints like the Kennedys. Rather, it was social and sexual: “There are no women in the Beat Generation, just girls who have broken with their parents for the evening.” Lenny Bruce may have been victimized by the police and the judiciary, but he seldom made fun of them—partly because he had a twisted, junkie’s respect for anyone who had contempt for him, but mostly because there wasn’t enough life in what they did to be very funny. “What can a man Eisenhower’s age say to me?” he shrugged memorably and then joked about liberal hypocrisies and liberal conventions (“I used to go to civil-rights marches, but Stevie Wonder and Ray Charles keep bumping into people”). Nichols and May are funny because they have perfect pitch for the holy words of progressive culture (“I can never believe that Bartók died on Central Park West”). Well past the high-water mark of McCarthyism, the comedians were mocking liberalism, implicitly recognizing that this was the ideology in cultural ascent."